The word is derived from the Japanese word mono (物?), which means "thing", and aware (哀れ?), which was a Heian period expression of measured surprise (similar to "ah" or "oh"), translating roughly as "pathos", "poignancy", "deep feeling", or "sensitivity", or "aware". Thus, mono no aware has frequently been translated as "the 'ahh-ness' of things", life, and love. Awareness of the transience of all things heightens appreciation of their beauty, and evokes a gentle sadness at their passing. "A sensitivity to ephemera"

 

Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.

Brian Eno (via jessiethatcher)

I could reblog/post this every day as a constant reminder.

(via notational)

Wow this is poignant and oh so accurate.

You can’t keep the birds of sadness from flying over your head, but you can keep them from nesting in your hair.

Sharon Creech, Walk Two Moons (via murmurrs)

vacants:

Tree. (by gusbritish)

This is a difficult shot to make look good, but beautiful when done right.

vacants:

Tree. (by gusbritish)

This is a difficult shot to make look good, but beautiful when done right.